Le jour de l'investiture de Barack Obama, un énigmatique millionnaire venu d'un lointain Orient prend ses quartiers dans une communauté préservée au coeur de Greenwich Village avec ses trois fils adultes aussi brillants qu'excentriques. René Unterlinden, jeune réalisateur velléitaire, comprend que ces étranges voisins peuvent devenir une source d'inspiration inespérée. Convoquant la littérature, la pop-culture et le 7e art, Salman Rushdie écrit ici le roman à la fois angoissant et jubilatoire de l'identité, de la vérité, de la terreur et du mensonge dans leurs atours contemporains.
Quichotte, un représentant de commerce vieillissant obsédé par le "réel irréel" de la télévision, tombe éperdument amoureux d'une reine du petit écran et s'embarque, à travers les routes d'Amérique, dans une quête picaresque pour lui prouver qu'il est digne de sa main. À ses côtés sur le siège passager, Sancho, son fils imaginaire. Ce roman d'une ampleur phénoménale raconte l'histoire d'une époque déréglée - "l'Ère du Tout Peut Arriver" - et brasse dans son sillage des thèmes aussi divers que les relations père-fils, les querelles frère-soeur autour d'actes impardonnables, le racisme, la crise des opiacés, les cyber-espions, la science-fiction, l'histoire de l'Auteur qui a créé Quichotte, et la fin du monde. Exubérant, drolatique et terriblement intelligent, Quichotte est une bombe littéraire sur fond d'apocalypse.
Deux ans, huit mois et vingt-huit nuits est un conte merveilleux qui interroge notre vie contemporaine à la lumière de l'histoire et de la mythologie. Échappés de leur univers aussi fabuleux qu'ennuyeux, des djinns viennent mêler leur immortalité fascinée à la finitude des hommes, et partager la folle aventure de leur active et permanente déraison. À la fois inspirée par une tradition narrative deux fois millénaire et enracinée dans les multiples préoccupations du temps présent, portée par une langue où l'épique le dispute au comique et la légende à la méditation philosophique et politique, une fiction fastueuse et envoûtante, d'une puissance narrative et imaginaire à couper le souffle.
Le 14 février 1989, le jour de la Saint Valentin, Salman Rushdie reçut un coup de téléphone d´un journaliste de la BBC : il avait été« condamnéà mort » par l´Ayatollah Khomeiny. C´était la première fois qu´il entendait le mot « fatwa ». Son crime ? Avoir écrit Les Versets sataniques, un roman accusé d´être « contre l´Islam, le Prophète et le Coran ».
Ainsi commence l´extraordinaire histoire d´un écrivain obligé de devenir un clandestin, changeant sans cesse de domicile, sous la protection permanente d´une équipe de protection policière armée. Quand on lui demande de se choisir un pseudonyme à destination de la police, il songe aux écrivains qu´il aime et essaie des combinaisons de leurs noms ; puis l´idée lui vient : Conrad et Tchekov - Joseph Anton.
Comment un écrivain et sa famille traversent-ils neuf années sous une menace de meurtre perpétuelle ? Comment continuer àécrire ? À vivre des histoires d´amour ? Quels effets le désespoir a-t-il sur sa pensée et son action, comment et pourquoi flanche-t-il et comment apprend-il à se relever et à se battre ? Telle est l´histoire que Salman Rushdie raconte pour la première fois à travers ces remarquables mémoires - l´histoire d´une des plus importantes batailles pour la liberté d´expression de notre époque. Il dit ici les réalités parfois cruelles, parfois comiques d´un quotidien sous surveillance armée, et les liens très forts qu´il tisse avec ses protecteurs ; il dit aussi sa lutte pour gagner le soutien et la compréhension des gouvernements, des chefs des services de renseignements, des éditeurs, des journalistes et de ses collègues écrivains, il dit encore son combat acharné pour retrouver sa liberté.
C´est un livre d´une franchise et d´une honnêteté exceptionnelles, saisissant, provocant, émouvant, et d´une importance vitale. Car l'histoire de Salman Rushdie n´est que le premier acte d´un drame qui continue de se dérouler chaque jour quelque part dans le monde.
Los Angeles, 1991. Maximilian Ophuls is knifed to death on the doorstep of his illegitimate daughter India, slaughtered by his Kashmiri driver, a mysterious figure who calls himself Shalimar the Clown. The dead man is a World War II Resistance hero, a man of formidable intellectual ability and much erotic appeal, a former United States ambassador to India, and subsequently America's counter-terrorism chief. The murder looks at first like a political assassination but turns out to be passionately personal. This is the story of Max, his killer, and his daughter - and of a fourth character, the woman who links them all. The story of a deep love gone fatally wrong, destroyed by a shallow affair, it is an epic narrative that moves from California to France, England, and above all, Kashmir: a ruined paradise, not so much lost as smashed.
On a beautiful starry night in the city of Kahani in the land of Alifbay a terrible thing happened: twelve-year-old Luka's storyteller father, Rashid, fell suddenly and inexplicably into a sleep so deep that nothing and no one could rouse him. To save him from slipping away entirely, Luka must embark on a journey through the Magic World, encountering a slew of phantasmagorical obstacles along the way, to steal the Fire of Life, a seemingly impossible and exceedingly dangerous task.
With Haroun and the Sea of Stories Salman Rushdie proved that he is one of the best contemporary writers of fables, and it proved to be one of his most popular books with readers of all ages. While Haroun was written as a gift for his first son, Luka and the Fire of Life, the story of Haroun's younger brother, is a gift for his second son on his twelfth birthday. Lyrical, rich with word-play, and with the narrative tension of the classic quest stories, this is Salman Rushdie at his very best.
Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most impossible and glorious
Vina Aspara, a famous and much-loved singer, is caught up in a devastating earthquake and never seen again. This is her story, and that of Ormus Cama, the lover who finds, loses, seeks and again finds her throughout his extraordinary life in music. It is narrated by Ormus's childhood friend, Rai.
A tall, yellow-haired young European traveller calling himself 'Mogor dell'Amore', the Mughal of Love, arrives at the court of the real Grand Mughal, the Emperor Akbar, with a tale to tell that begins to obsess the whole imperial capital. The stranger claims to be the child of a lost Mughal princess, the youngest sister of Akbar's grandfather Babar: Qara Köz, 'Lady Black Eyes', a great beauty believed to possess powers of enchantment and sorcery, who is taken captive first by an Uzbek warlord, then by the Shah of Persia, and finally becomes the lover of a certain Argalia, a Florentine soldier of fortune, commander of the armies of the Ottoman Sultan. When Argalia returns home with his Mughal mistress the city is mesmerized by her presence, and much trouble ensues.
The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man's world. It brings together two cities that barely know each other - the hedonistic Mughal capital, in which the brilliant emperor wrestles daily with questions of belief, desire and the treachery of sons, and the equally sensual Florentine world of powerful courtesans, humanist philosophy and inhuman torture, where Argalia's boyhood friend "il Machia" - Niccolò Machiavelli - is learning, the hard way, about the true brutality of power. These two worlds, so far apart, turn out to be uncannily alike, and the enchantments of women hold sway over them both.
But is Mogor's story tue? And if so, then what happened to the lost princess? And if he's a liar, must he die?
From one of the world's truly great writers, Fury is a wickedly brilliant and pitch-black comedy about a middle-aged professor who finds himself in New York City in the summer of 2000. Not since the Bombay of Midnight's Children have a time and place been so intensely and accurately captured in a novel. Fury opens on a New York living at breakneck speed in an age of unprecedented decadence. Malik Solanka,, a Cambridge-educated self-made millionaire originally from Bombay, arrives looking, perversely, for escape. This former philosophy professor is the inventor of the hugely popular doll, Little Brain, whose multiform ubiquity - as puppet, cartoon and masked woman - now rankles with him. He becomes frustratingly estranged from his own creation. At the same time, his marriage is disintegrating: it escalates into a rage-filled battle, and Solanka very nearly commits an unforgivable act. Horrified by the fury within him, he flees home and family and becomes a sort of spiritual mendicant - except that he has a credit card and a duplex on the Upper West Side. Solanka discovers that he has come to a city Roiling with anger, where cab drivers spout invective and a serial killer is murdering women with a lump of concrete, a metropolis whose population is united by petty spats and bone-deep resentments. His own thoughts, emotions and desires, meanwhile, are also running wild. Solanka's navigation of his new world makes for a hugely entertaining and compulsively readable novel. Fury i a pitiless comedy that lays bare the darkest side of human nature with spectacular insight and much glee.
The subjects of Salman Rushdie's collection of non-fiction range from The Wizard of Oz, U2, India and Indian writing, the death of Princess Diana, and football, to twentieth-century writers including Angela Carter, Arthur Miller, Edward Said, J. M. Coetzee and Arundhati Roy.
In a central section, 'Messages from the Plague Years', Rushdie focuses on the fight against the Iranian fatwa, presenting texts both personal and political, which show for the first time how it was to live through those days. Rushdie's columns for the New York Times confront current issues - Kashmir, Northern Ireland, Kosovo, Islam and the West - as well as lighter topics such as reality TV, sport and sleaze. The book ends with the lectures that give it its title - Rushdie's exploration of the theme of frontiers: crossing them, breaking taboos, and - in the light of September 11 - the world of permeable frontiers in which we all live.
On 14 February 1989, Valentine's Day, the author was telephoned by a BBC journalist and told that he had been 'sentenced to death' by the Ayatollah Khomeini. For the first time he heard the word fatwa. His crime? This title tells the story of one of the crucial battles, in our time, for freedom of speech.
Flapping Eagle is a young Indian given the gift of immortality after drinking a magic fluid. Tiring of the burden of immortal life he sets off to find the mystical Calf Island, where he can rejoin the human race. His journey is peopled with strange assortments of characters, including the clumsy, loquacious Virgil Jones; his ugly, tragic companion, Dolores O'Toole; the wicked conjurer, Nicholas Deggle; the dainty, light-spirited Elfrida Gribb; and the enigmatic, pervasive Grimus, creator and controller of the mysterious island.
An enticing combination of science fantasy, storytelling and folklore makes this first novel by Salman Rushdie an epic adventure truly unlike any other.
In these nine stories Salman Rushdie looks at what happens when East meets West, at the forces that pull his characters first in one direction, then the other. Fantasy and realism collide as a rickshaw driver writes letters describing his film star career in Bombay; a mispronunciation leads to romance and an unusual courtship in sixties London; two childhood friends turned diplomats live out fantasies hatched by Star Trek; and Christopher Columbus dreams of consummating his relationship with Queen Isabella. The stories in East, West show the extraordinary range and power of Salman Rushdie's writing.
In this brilliantly focused and haunting portrait of the people, the politics, the land, and the poetry of Nicaragua, Salman Rushdie brings to the forefront the palpable human facts of a country in the midst of revolution.
Rushdie went to Nicaragua in 1986. What he discovered was overwhelming: a land of difficult, often beautiful contradictions, of strange heroes and warrior-poets. Rushdie came to know an enormous range of people, from the foreign minister - a priest - to the midwife who kept a pet cow in her living room.
His perceptions always heightened by his sensitivity and his unique flair for language, in The Jaguar Smile, Rushdie brings us the true Nicaragua, where nothing is simple, everything is contested, and life-or-death struggles are an everyday occurrence.
Omar Khayyam Shakil had three mothers who shared the symptoms of pregnancy, as they did everything else, inseparably. At their six breasts, Omar was warned against all feelings and nuances of shame. It was training which would prove useful when he left his mothers' fortress (via the dumb-waiter) to face his shameless future. As captivating fairy-tale, devastating political satire and exquisite, uproarious entertainment, Shame is a novel without rival.
Moares 'Moor' Zogoiby is a 'high-born crossbreed', the last surviving scion of a dynasty of Cochinise spice merchants and crime lords. He is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a labyrinthine tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerised offspring, of premature deaths and curses that strike beyond the grave. The Moor's Last Sigh is a spectacularly ambitious, funny, satirical and compassionate novel. It is a love song to a vanishing world, but also its last hurrah.
A Whitbread Prize winner, this book is a study of good and evil. It begins with two Indians, Gibreel Farishta and Saladin Chamcha, plummeting from the sky after the explosion of their jetliner, and proceeds through a series of metamorphoses, dreams, and revelations.
A delectable offering of the best stories written by master storytellers, including Ruskin Bond, Anita Desai, Satyajit Ray, R.K. Narayan, Salman Rushdie and Vikram Seth, to name a few. Each story represents the richness and range of contemporary writing for children, and is beautifully illustrated to make this truly a collector's item.
In the near future, after a storm strikes New York City, the strangenesses begin. A down-to-earth gardener finds that his feet no longer touch the ground. A graphic novelist awakens in his bedroom to a mysterious entity that resembles his own sub-Stan Lee creation. Abandoned at the mayor's office, a baby identifies corruption with her mere presence, marking the guilty with blemishes and boils. A seductive gold digger is soon tapped to combat forces beyond imagining.Unbeknownst to them, they are all descended from the whimsical, capricious, wanton creatures known as the jinn. Centuries ago, Dunia, a princess of the jinn, fell in love with a mortal man of reason. Together they produced an astonishing number of children, unaware of their fantastical powers, who spread across generations in the human world.Once the line between worlds is breached on a grand scale, Dunia's children and others will play a role in an epic war between light and dark spanning a thousand and one nights - or two years, eight months, and twenty-eight nights. It is a time of enormous upheaval, in which beliefs are challenged, words act like poison, silence is a disease, and a noise may contain a hidden curse.
Haroun's father is the greatest of all storyletters. His magical stories bring laughter to the sad city of Alifbay. But one day something goes wrong and his father runs out of stories to tell. Haroun is determined to return the storyteller's gift to his father. So he flies off on the back of the Hoopie bird to the Sea of Stories - and a fantastic adventure begins.
Salman Rushdie, a self-described 'emigrant from one place and a newcomer in two', explores the true meaning of home. Writing with insight, passion and humour, he looks at what it means to belong, whether roots are real and homelands imaginary, what it is like to reconfigure your past from fragments of memory and what happens when East meets West. Selected from the books Shame, Imaginary Homelands and East, West by Salman Rushdie
VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.A series of short books by the world's greatest writers on the experiences that make us human Also in the Vintage Minis series:
Love by Jeanette Winterson
Liberty by Virginia Woolf
Race by Toni Morrison
Sisters by Louisa May Alcott
When powerful real-estate tycoon Nero Golden immigrates to the States under mysterious circumstances, he and his three adult children assume new identities, taking 'Roman' names, and move into a grand mansion in downtown Manhattan. Arriving shortly after the inauguration of Barack Obama, he and his sons, each extraordinary in his own right, quickly establish themselves at the apex of New York society.The story of the Golden family is told from the point of view of their Manhattanite neighbour and confidant, René, an aspiring filmmaker who finds in the Goldens the perfect subject. René chronicles the undoing of the house of Golden: the high life of money, of art and fashion, a sibling quarrel, an unexpected metamorphosis, the arrival of a beautiful woman, betrayal and murder, and far away, in their abandoned homeland, some decent intelligence work.Invoking literature, pop culture, and the cinema, Rushdie spins the story of the American zeitgeist over the last eight years, hitting every beat: the rise of the birther movement, the Tea Party, Gamergate and identity politics; the backlash against political correctness; the ascendency of the superhero movie, and, of course, the insurgence of a ruthlessly ambitious, narcissistic, media-savvy villain wearing make-up and with coloured hair.In a new world order of alternative truths, Salman Rushdie has written the ultimate novel about identity, truth, terror and lies. A brilliant, heartbreaking realist novel that is not only uncannily prescient but shows one of the world's greatest storytellers working at the height of his powers.